choose an entry: Written by Ernie Malik, Unit Publicist for The Majestic. Photos by Ralph Nelson

Introduction:
Opening the Doors
Cast and Crew
Prelude

Journal 2:
ACT 1: Blacklisted!
March 6 (Day 2)
March 9 (Day 3)
March 10-11 (Days 4-5)
March 12-13 (Days 6-7)


Journal 3:
ACT 2: Welcome to Ferndale!
March 20 (Day 9)
March 21 (Day 10)
March 22 (Day 11)
March 23 (Day 12)


Journal 4:
March 26 (Day 13)
March 27 (Day 14)
March 28 (Day 15)
March 29 (Day 16)
March 30 (Day 17)


Journal 5:
April 2 (Day 18)
April 3 (Day 19)
April 4 (Day 20)
April 5 (Day 21)
April 6 (Day 22)


Journal 6:
April 8 (Day 23)
April 9 (Day 24)
April 10 (Day 25)
April 11 (Day 26)
April 12 (Day 27)


Journal 7:
April 16 (Day 28)
April 17 (Day 29)
April 18 (Day 30)
April 19 (Day 31)
April 20 (Day 32)
April 23 (Day 33)
April 24 (Day 34)
April 25 (Day 35)
April 26 (Day 36)


Journal 8:
April 30 (Day 37)
May 1 (Day 38)
May 2 (Day 39)
May 3 (Day 40)
May 4 (Day 41)
May 7 (Day 42)
May 8 (Day 43)


Journal 9:
May 10-11 (Days 44-45)
May 14 (Day 46)
May 15 (Day 47)
May 16 (Day 48)
May17 (Day 49)
May 18 (Day 50)


Journal 10:
May 21 (Day 51)
May 22 (Day 52)
May 23 (Day 53)
May 24 (Day 54)
May 25 (Day 55)


Journal 11:
May 29 (Day 56)
May 30 (Day 57)
May 31 (Day 58)
June 1 (Day 59)


introduction
Cast and Crew


Before we get started, before we raise The Majestic’s curtain allowing you a peek at the backstage escapades, let us introduce you to those players, both in front of the cameras and behind the scenes, whose collaborations will result in what we hope will be an entertaining, thought-provoking and emotionally stirring movie.

Some background -- credits are defined in our industry as “above-the-line” (the stars and key filmmakers like director, producer, writer, cinematographer, costume designer, editor, composer, et.al.) and “below-the-line” (everybody else, including me...I like to say that I’m so far below the line that if you run the film backwards, I get top billing). So, if you stick around after the film ends, these are some of the names you will see in the credit roll (and read about in future journal entries):

Characters
Jim Carrey -- Peter Appleton (blacklisted screenwriter in 1951); Luke Trimble (son of Harry Trimble, presumed dead in battle, WWII)
Laurie Holden -- Adele Stanton (daughter of Lawson’s town doctor and Luke’s girlfriend)
Martin Landau -- Harry Trimble (owner of The Majestic movie theater)
David Ogden Stiers -- Dr. Benjamin “Doc” Stanton (Lawson’s town physician)
Jeffrey DeMunn -- Mayor Ernie Cole (Lawson’s Mayor and town druggist)
James Whitmore -- town elder Stan Keller (owner of the local pawnshop)
Chelcie Ross -- Avery Wyatt (the hardware store owner)
Matt Weins -- Spencer Wyatt (member of Lawson’s band, and Avery’s son)
Allen Garfield -- Leo Kubelsky (Appleton’s Hollywood agent)
Ron Rifkin -- Kevin Bannerman (HHS Studios staff lawyer)
Bob Balaban -- Elvin Clyde (H.U.A.C. lead council)
Hal Holbrook -- T. Johnston Doyle (H.U.A.C. Chairman)
Susan Willis -- Irene (runs The Majestic’s concession stand)
Gerry Black -- Emmett (The Majestic’s aging usher)
Catherine Dent -- Mabel (owns the town diner)
Brian Howe -- Carl Leffert (Luke’s boyhood friend)
Karl Bury -- Bob Leffert (Carl’s cousin, a scarred WWII survivor)
Brent Briscoe -- Sheriff Cecil Coleman (Lawson’s town sheriff)
Amanda Detmer -- Sandra Sinclair (Peter Appleton’s actress girlfriend)
Bruce Campbell -- Brett Armstrong (hero star of “Sand Pirates of the Sahara”)
Cliff Curtis -- Ramon Jamon (Khalid, the villain of “Sand Pirates...”)
Daniel Von Bargen -- FBI agent Ellerby
Shawn Doyle -- FBI agent Saunders

Production
Frank Darabont -- director, producer
Michael Sloane -- screenwriter (original screenplay); associate producer
Jim Behnke -- executive producer, unit production manager
Linda Fields Hill -- associate producer (and asst. to Jim Carrey)
Anna Garduno -- associate producer
Alison Harstedt -- production supervisor
K.C. Collwell -- 1st assistant director
Paula Harris -- 2nd assistant director
Craig Comstock -- 2nd 2nd assistant director
Robert “Skid” Sikdmore -- additional 2nd 2nd assistant director
Harmony Gosbee -- DGA trainee
Angie Athayde, Bill Hardy, Marcus Ball, Stephan Horvath -- set assistants
Susan Malerstein-Watkins, Lyn Norton -- script supervisors
David Tattersall, B.S.C. -- director of photography (a.k.a. cinematographer)
David Emmerichs -- camera operator (Steadicam also)
Heather Page -- B camera operator
Chuck Katz -- B camera 1st assistant
Todd McMullen -- A camera 1st assistant
Kirby Washington -- A camera 2nd assistant
Jacquie Compton-Jensen -- B camera 2nd assistant
Ralph Nelson, SMPSP -- still photographer
Mark Ulano -- sound mixer (or recordist)
Tom Hartig -- boomman
Ross Levy -- utility sound (cable)
Scott Crabbe -- video assist
Richard Mall -- key grip
Tom Crawford -- best boy grip
Dave Pearlberg, Jamie Young -- dolly grips
Gregory Fausak, John Minardi, Skylar Tigland, John Sevaric, Robert Matthews, Ralphie Del Castillo -- company grips
Randy Vargas -- key rigging grip
Ken Carcellar -- best boy rigging grip
Jack Davidson, Coleman Hart, Ignacio Woolfork -- rigging grips
Mark Vuille -- gaffer (chief electrician)
Michael K. O’Melia -- best boy electric
William O’Melia, Michael Macias, Joe McKenzie, David Thielhart, Dennis Winkler, James Barrett, Ron Provenzano -- lamp operators (electricians)
Bob Meinel -- generator operator
Todd Sater -- rigging gaffer (No. California)
Darrell Pritchett -- mechanical special effects coordinator
Casey Pritchett -- effects foreman
Dan Ossello, Ante Dugandul, Steve Costello, George Deveau -- effects assistants
Charlie Nicholson -- on-set dresser/decorator
Skip Calta, Dan Dorfer -- standby painters/scenic artists
Tom Acosta -- greensman
Justin Garcia -- standby carpenter
Bill Corso -- key Makeup Dept. head (also handles Jim Carrey)
Douglas Noe -- Key Makeup
Judy Mathai, Kristine Chadwick, Michelle Garbin, Judy Yonomoto -- makeup
Nina Paskowitz -- Dept. head Hairstylist
Ann Morgan -- Jim Carrey’s hairstylist
Katherine Rees -- Key Hairstylist
Yvonne Depatis-Kupka -- Key Background Hairstylist
Rita Troy, T. Ely, V. Nelson, K. Gonzalves, R. Sayer, T. Hill, B. Lattin, M. Desart -- hairstylists
Karyn Wagner -- Costume Designer
Heather Pain -- assistant designer
Mark Peterson -- costume supervisor
Donna Marcione Pollack -- key costumer
David Page -- Jim Carrey’s costumer
Nisa Kellner -- Key set costumer
Gilda Texter, Brigit A. Jones, Vincent Lapper, Bernardine Morgan, Carmen Torres, Chantou Kozberg, Robert Pecina -- costumers
Robert Moore III -- workroom supervisor
Kinkead Henton, Irmgarda Welemin -- Women’s workroom supervisors
Sara O’Donnell -- painter-dyer
Joaquin Briceno -- tailor
Maureen Farley -- propmaster
Merdyce McClaren -- assistant propmaster
Valerie Van Norte, John McElroy -- prop assistants
Gregory Melton -- production designer
Michele Tedlis -- art department coordinator
Erik Carlson -- assistant art director
Scott Herbertson, Julia Levine, Alan S. Kaye -- set designers
John Eaves -- illustrator
Max Daly -- art department production assistant
Natali Kendrick Pope -- set decorator
Meredith McCarthy -- set decorator buyer
Mark Woods -- leadman
Leah Ferrarini, Jack Forwalter, Kurt Weidermann, Mark “Travis” Little -- set dressers
Joe Delmonte -- construction coordinator
Larce Crawford -- general foreman
Lisa M. Brooks -- construction auditor
Ken Deubell -- lead scenic
Charles Reyes -- tool foreman
William Davidson, Bryan Corbett, John Aaron Mays, Theodore Harms, Sean Gallager, Chris Nakayama, Randy Prochaska -- foremen
Rod Scheuerman, Mark Felan, John S. Ogden, Michael Prochaska, Christian Zingale -- propmakers
Woodward Romine, Jr. -- paint foreman
Joe Wittenberg -- paint gang boss
Terry Deubel, Kathy O’Loughlin, Sally Romine, Stephen Harvey -- painters
Sergio Acevedo -- laborer foreman
Raul Lopez -- Modeler foreman
James Van Houten -- sculptor
Michael Alvarado, Gregg Smets -- plaster foreman
Ellen Dunn -- production coordinator
Gina Cooper -- asst. production coordinator
Michael Peterson -- production secretary
Spencer Cohen -- office p.a.
Denise Huth -- asst. to Frank Darabont
Tricia J. Owen -- asst. to Jim Behnke
Juan Melchor -- production asst. to Frank Darabont
Constantine Nasr, Brett Hill -- video documentarians
Charlie Gibson -- visual effects supervisor
Sargon Bacchus -- extras casting
Gabrielle Bacchus -- production assistant (No. California)
Dwight Hovey -- studio teacher
Alison Cannon -- production accountant
Jeff Dash -- 1st assistant accountant
Jennifer Lobban -- 2nd assistant accountant
Catherine Generous -- 3rd assistant accountant
Daniel Messler -- payroll accountant
Dax A. Cuesta -- accounting clerk
Deborah Aquila -- casting director
Tricia Woods -- casting associate
Jen Smith, Rachelanne Schiller -- casting assistants
Jim Page -- editor
Tracey Wadmore-Smith, Vince Filippone -- 1st asst. editors
Robert D. Mendoza -- assistant editor
Christy Dimmig -- post-production supervisor
Grant Wilkinson -- editorial assistant
John Grant -- location manager (L.A.)
Rory Enke -- location manager (No. California)
Richard Marks -- location scout (No. California)
Chris Baugh -- assistant location manager (L.A.)
Rick Smith, Michael Chickey -- location scouts (No. California)
Jason Sherman -- location assistant (L.A.)
Ree Nashold -- set medic
Steve Dale/TomKats -- catering
Michael Randolph, John Randolph -- craft service
David Marder -- transportation coordinator
Fred Culbertson -- transportation captain
Michael Price -- picture car coordinator
Jerry McMullen -- Jim Carrey’s driver
Boone Narr -- animal wrangler
Ernie Malik -- unit publicist




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